MEGAN FRANCIS SULLIVAN

Likenesses

21 May - 30 October 2022

Villa Atrata - La Roche Posay

Continuing an ongoing dialogue between Nick Mauss and Megan Francis Sullivan, Likenesses is the first time their works are presented in direct conversation. Two distinct attitudes pose questions with regard to the orientation of the viewer.

Painting on the underside of sheets of glass that are subsequently silvered, Mauss captures an estranged line inside the resulting mirror—a line that is entangled with the spatial reality of its changeable reflections and a hyper- awareness of one’s own gaze. In this process of built-in delays, shifts, and reversals, the work arises as a fluid framing of the field of vision, interposed by layers.

Sullivan’s “Bathers (Inverted)” reiterate Paul Cézanne’s figural landscape paintings at 1:1 scale in exacting color negative, inciting a strange cognitive reflex: the works oscillate between their rendered inversion and imagined “positive”. Not merely analytical takes, they assert a painterly vitality containing both presence and absence.

These destabilizing maneuvers yield a surprising lushness as they locate and then pierce what Hubert Damisch has identified as “a zero that is not synonymous with the original.”

At Atrata, Mauss’ and Sullivan’s works converse across two sites – the radically spare Chapelle St. Croix in Angles sur l’Anglin, for which Mauss has created a large-scale reverse- painted mirrored mural, and the more intimate Villa Atrata, where Sullivan’s “Bathers” confront the omnipresent view of the landscape. The works sensitize dimensions of gesture and touch, and, as the poet Susan Stewart has observed, “touch, like dizziness, is a threshold activity—subjectivity and objectivity come quite close to one another.”

Megan Francis Sullivan lives and works in Berlin. Solo presentations have included Begegnungsbilder at Neuer Essener Kunstverein, The Unanswered Question at Kunsthalle Bern, Privileged Information at Mathew, New York, and Click click space space at Midway Contemporary Art, Minneapolis . In 2019 she co-edited a book on Jill Johnston’s writings titled The Disintegration of a Critic, which was presented in form of an exhibit at Bergen Kunsthall. She is editor of S*I*G, a periodical for singular essays.

Villa Atrata
86 260 Angles-sur-l’Anglin

Chapel St. Croix
26 Rue du Pont
86 260 Angles-sur-l’Anglin

The exhibitions at the chapel are open to public
Saturday and Sunday from 2PM to 6PM or by appointment

Atrata Paris
30 Galerie de Montpensier
Jardin du Palais Royal
75001 Paris

Tuesday – Saturday from 11AM to 7PM

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Gil Presti

Villa Atrata86 260 Angles-sur-l’Anglin

Chapel St. Croix
26 Rue du Pont
86260 Angles-sur-l’Anglin

The exhibitions at the chapel are open to public
Saturday and Sunday from 2PM to 6PM
or by appointment

Atrata Paris
30 Galerie de Montpensier
Jardin du Palais Royal
75001 Paris

Tuesday – Saturday from 11AM to 7PM

Follow us on Instagram